Anmelden

    Suche nach Personen

    plus im Publikationsserver
    plus bei BASE
    plus bei Google Scholar

    Daten exportieren

    		  

    Taking and Making Place Through Sound : from the Phonotope to the Phonocene

    Titelangaben

    Verfügbarkeit überprüfen

    Bocquillon, Rémy:
    Taking and Making Place Through Sound : from the Phonotope to the Phonocene.
    In: Space and Culture. (19. Februar 2024). - 9 S.
    ISSN 1206-3312 ; 1552-8308

    Volltext

    Open Access
    [img]
    Vorschau
    		 Text (PDF)
    Verfügbar unter folgender Lizenz: Creative Commons: Attribution 4.0 International (CC BY 4.0) Creative Commons: Namensnennung (CC BY 4.0) .
    Download (149kB) | Vorschau
    Volltext Link zum Volltext (externe URL):
    https://doi.org/10.1177/12063312231210175

    Kurzfassung/Abstract

    Although the spatiality of sounding and listening practices has been broadly and deeply discussed within humanities in general and sound studies in particular, the implications of such “place-taking” and “place-making” characteristics remain highly relevant nowadays. Starting from Peter Sloterdijk’s concept of the phonotope, through which sound and space are closely related in the production of social, it will be argued, following philosopher and ethologist Vinciane Despret, that the importance of sound for “making place” matters far beyond human-centered thought. In what she calls the Phonocene, Despret invites us not only to listen to others, humans and nonhumans, but also to compose with multiple modes of existence, through the sonic. In short, the Phonocene addresses the importance of sonic thinking, which, for instance in sociology, challenges hegemonic and anthropocentric practices of knowledge production. Experimenting with “thinking-with sounds” within social sciences and philosophy thus implies not only to understand the spatiality inherent to the practices of sounding and listening, but to engage with those practices critically, as they are also always “situated,” in the sense of Donna Haraway, and therefore, in the midst of multiple “interests,” as understood in Actor-Network Theory, including a multiplicity of human, nonhuman, and more-than-human actors.

    Forschungsprojekte

    Sound Formation

    Weitere Angaben

    Publikationsform:Artikel
    Sprache des Eintrags:Englisch
    Institutionen der Universität:Geschichts- und Gesellschaftswissenschaftliche Fakultät > Soziologie > Lehrstuhl für Allgemeine Soziologie und Soziologische Theorie
    DOI / URN / ID:10.1177/12063312231210175
    Open Access: Freie Zugänglichkeit des Volltexts?:Ja
    Peer-Review-Journal:Ja
    Verlag:Sage Publications
    Die Zeitschrift ist nachgewiesen in:
    Titel an der KU entstanden:Ja
    KU.edoc-ID:32980
    Eingestellt am: 20. Feb 2024 14:50
    Letzte Änderung: 22. Feb 2024 10:43
    URL zu dieser Anzeige: https://edoc.ku.de/id/eprint/32980/
    AnalyticsGoogle Scholar